Outcrossing and essentialism
Paul Bloom believes that we find pleasure in the essence of things. He proposes that human beings draw meaning from the origins of things, that we are essentialists who assign value to the things around us as much from their provenance as by how they look, sound, taste, smell or function.
Bloom’s ideas on art, essentialism and our sense of pleasure may explain the obsession many fanciers have with the idea of eugenically pure blooded dogs. The idea that the smallest fraction of racially impure blood in a dog’s pedigree is far worse than breeding an entire race genetically damaged (but pure blooded!) dogs has always struck me as wildly irrational.
But after listening to Bloom’s ideas on essentialism I realized that most dog fanciers see the original development of a breed as a unique and specific creative act — like Michelangelo painting the ceiling of the Sistine Chapel. In their eyes any genetic addition to the original bloodline is tantamount to forgery. If Bloom is right, I may have different feelings about outcrossing because I see the creation of dog breeds simply as the result of a specific tendency and style in breeding. As an art movement rather than a specific work of art. This is an important difference because if we understand a breed as an art movement instead of a specific work of art, outcrossing is an acceptable way to refine individual art forms within the greater movement.
The essentialist hypothesis may also help explain why people are so intensely opinionated about breeding dogs because, according to Bloom, when we experience a thing in what we feel to be its essence, we find a deep sense of pleasure in it. And – when we believe that we have been fooled into experiencing a thing as being genuine when it is not, we feel a deep sense of revulsion. So while I see an LUA Dalmatian as a logical bit of experimentation within an art movement, those who see dog breeds as art forms are likely to view it as an abomination.